bar

 

This Week on the Guitar Blog...

 

Upper and Lower Neighbor Tones
This week on the GuitarBlog I discuss the process of performing lines around major and Minor arpeggios using both upper and lower scale tones. The proceedure is demonstrated along side of the different arpeggios, however the principle can also be taken to scales as well. An example melodic line is given at the end of the demonstration showing just how effective these neighbor tones are in creating more variety with both guitar licks and composed melodies. I hope you enjoy the video lesson!

 

RELATED VIDEOS for "Upper and Lower Neighbor Tones":
Pentatonic Scales and Melodic Improvisation

 

Chromatic Stealth Tones

 

For more resources on the topic of Harmony and Theory, visit the course pages at Creative Guitar Studio / Harmony and Theory.

 

For some extra jam practice this week, check out my FREE JamTrax on the JamTrax Page. Please consider visiting my PayPal Donation Page to help support the web-site. Have a great week everyone, and all the best!

bar

Have you got a guitar question?

ask andrew wasson

bar

bar

I have hundreds of lessons here on my Blog site... Many have FREE MP3 Jam Tracks as well as PDF Lesson Handouts. Use the Search Box (up in the top right navigation menu) to find video lessons & blogs. My most recent guitar lesson videos are below... Enjoy and please consider a donation to help support this Guitar Blog & the Creative Guitar Studio online lesson projects.

 

Recent Video Lessons

bar

 

August 15, 2014:
Making Money as a Musician (2014 Edition)


This video presentation is a re-cap of the popular series posted back in 2009 of the same name. In this video I review what has both changed and what has stayed the same when it comes to Making Money as a Musician. Watch the video lesson to find out more, and Download the FREE PDF manuscript handout for the video presentation.

Making Money as a Musician (2014 Edition)

bar

Visit the Archives for More Guitar Lessons

bar

Guitar Blog Q and A

 

 

Your EmailQ: Hi Andrew...

I just wanted to say thanks for making your Understanding Music Intervals lesson. You taught me in 15 minutes what my private lesson trombone teacher in school couldn’t teach me in more than 5 years of weekly lessons... just wanted to ask a question about the dim7.  

 

It seems to be an interval only in name since when you play it, it would sound as a major 6?  At least taking your example as C to B as a 7th, B flat as a minor 7th and then B double flat as a diminished 7th... effectively that makes the played interval C to A or a Major 6th, if I’m trying to identify the interval by ear.

 

What context can you use to make the decision on something you’re just listening to, to try to identify? Lastly, I noticed that the symbol you use for double sharp has dots in it but I was never taught a symbol with dots.  Is that a Canadian vs. United States difference?  I can’t seem to find the symbol you drew on a quick Google search.

- Nathan

 

bar

 

A: Hi Nathan...

Thanks, glad that video helped you. The Dim.7 and the Ma6 are what is known of as, Enharmonic. The difference between naming them will come to front and center if you wanted a distance of a 6th or a distance of a 7th.

 

Generally, this would come up most often when constructing chords, arpeggios, or various scales and you’re using several intervals together. For example, the Ma6 would be applied in the context of constructing a triad or arpeggio of major or minor quality. But, the Dim. 7 would be applied when constructing a Diminished chord, the Diminished arpeggio, or harmonizing the Harmonic Minor scale’s seventh degree, (which would be the Dim. 7 chord).

 

Keep in mind that although intervals are taught in theory as the distance of one note to another, they are generally used inside of situations where there are more than two notes. So, as you assumed in your question, their names are dependent upon the context in which they are used. As far as simple listening to note distances, (when perhaps analyzing a song by ear), I’d say 9 times out of 10 I’d name this particular distance as a Ma6.

 

Lastly, in regard to that double-sharp symbol... That type I had drawn was what would be called Manuscript Style. I found it in a Books.Google search for Theory and Technique for Music Notation. The book by Mark McGrain (page 37). Modern software such as Finale does not show the double sharp in that manner, just as an X.

 

Thanks for writing in. - Andrew Wasson

 

Hit the Guitar Blog Q and A to read more emails

 

 

Creative Guitar Studio