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This Week on the Guitar Blog...

 

Simple Guitar Soloing Exercises
This weeks GuitarBlog explores Simple Guitar Soloing Exercises... Getting really good at playing solos will take time and effort. You need to develop your personal sense of feel and gain a great awareness of rhythm and timing. This is where solid "rhythm guitar" skills come in. Think of; Eddie Van Halen, Steve Vai or Stevie Ray Vaughn. These players are not just phenomenal lead guitar players, they're also amazing rhythm guitar players. Start with a number of basic chords, then rehearse developing good rhythmic feel with the chords in several styles. As you are doing this, practice the scale patterns and use a loop on one chord to develop basic feel. Then, move on to more complex progressions and start trying to target the chord tones and apply several phrasing devices. As time goes on, you'll establish your personal feel and you'll gain a lot more control for playing guitar solos. Enjoy!

 

RELATED VIDEOS for "Simple Guitar Soloing Exercises":
How to do Chord Tone Target Practice

 

Simple Soloing Techniques

 

For more resources on the topic of Harmony and Theory, visit the course pages at Creative Guitar Studio / Harmony and Theory.

 

For some extra jam practice this week, check out my FREE JamTrax on the JamTrax Page. Please consider visiting my PayPal Donation Page to help support the web-site. Have a great week everyone, and all the best!

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I have hundreds of lessons here on my Blog site... Many have FREE MP3 Jam Tracks as well as PDF Lesson Handouts. Use the Search Box (up in the top right navigation menu) to find video lessons & blogs. My most recent guitar lesson videos are below... Enjoy and please consider a donation to help support this Guitar Blog & the Creative Guitar Studio online lesson projects.

 

Recent Video Lessons

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August 28, 2015:
Relaxing Melodic Guitar Music

 

Relaxing Melodic Guitar Music places a focus upon the basic instrumental guitar music that offers simple yet flowing melody ideas. We'll look at both the melody lines used, as well as, the different harmonies that can be applied within this style. Watch the video lesson to find out more, and Download the FREE MP3 JamTrack and PDF lesson handout for the practice examples.

SONGWRITING: Relaxing Melodic Guitar Music

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Visit the Archives for More Guitar Lessons

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Guitar Blog Q and A

 

 

Your EmailQ: Hi Andrew...

I just wanted to say thanks for making your Understanding Music Intervals lesson. You taught me in 15 minutes what my private lesson trombone teacher in school couldn’t teach me in more than 5 years of weekly lessons... just wanted to ask a question about the dim7.  

 

It seems to be an interval only in name since when you play it, it would sound as a major 6?  At least taking your example as C to B as a 7th, B flat as a minor 7th and then B double flat as a diminished 7th... effectively that makes the played interval C to A or a Major 6th, if I’m trying to identify the interval by ear.

 

What context can you use to make the decision on something you’re just listening to, to try to identify? Lastly, I noticed that the symbol you use for double sharp has dots in it but I was never taught a symbol with dots.  Is that a Canadian vs. United States difference?  I can’t seem to find the symbol you drew on a quick Google search.

- Nathan

 

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A: Hi Nathan...

Thanks, glad that video helped you. The Dim.7 and the Ma6 are what is known of as, Enharmonic. The difference between naming them will come to front and center if you wanted a distance of a 6th or a distance of a 7th.

 

Generally, this would come up most often when constructing chords, arpeggios, or various scales and you’re using several intervals together. For example, the Ma6 would be applied in the context of constructing a triad or arpeggio of major or minor quality. But, the Dim. 7 would be applied when constructing a Diminished chord, the Diminished arpeggio, or harmonizing the Harmonic Minor scale’s seventh degree, (which would be the Dim. 7 chord).

 

Keep in mind that although intervals are taught in theory as the distance of one note to another, they are generally used inside of situations where there are more than two notes. So, as you assumed in your question, their names are dependent upon the context in which they are used. As far as simple listening to note distances, (when perhaps analyzing a song by ear), I’d say 9 times out of 10 I’d name this particular distance as a Ma6.

 

Lastly, in regard to that double-sharp symbol... That type I had drawn was what would be called Manuscript Style. I found it in a Books.Google search for Theory and Technique for Music Notation. The book by Mark McGrain (page 37). Modern software such as Finale does not show the double sharp in that manner, just as an X.

 

Thanks for writing in. - Andrew Wasson

 

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